Showing posts with label feminist. Show all posts
Showing posts with label feminist. Show all posts

Sunday, April 8, 2012

Elizabeth Cochran, a.k.a. Nellie Bly

Nellie Bly c. 1890
Nellie Bly (1864 - 1922) was the pen name of pioneer female journalist Elizabeth Jane Cochran, who was first noticed and hired by a newspaper editor after she wrote a strong letter to the editor in response to a sexist article. According to Wikipedia, "The editor was so impressed with Cochran's earnestness and spirit that he asked the man who wrote the letter to join the paper. When he learned the man was Cochran he refused to give her the job, but she was a good talker and persuaded him. Female newspaper writers at that time customarily used pen names, and for Cochran the editor chose 'Nellie Bly', adopted from the title character in the popular song 'Nelly Bly' by Stephen Foster."

Bly, who lived in Pittsburgh, Pennsylvania at the time, was naturally inclined to cover stories of working women and the labor conditions of female factory workers. In rebellion against the pressure from her employer to cover home-and-garden sort of topics, she quit her job and moved to Mexico to serve as a foreign correspondent to the newspaper. Never one to hold back, she wrote critically of the dictator Porfirio Díaz, and then had to move back to the U.S. after being threatened with arrest. She was once again assigned typical women's stories and in frustration left the newspaper and moved to New York City.

After a few months barely scraping by in New York, Bly found work doing an undercover investigative assignment for the New York World. As a groundbreaker in the field of investigative reporting, she was to feign insanity in order to be committed to the Women's Lunatic Asylum on Blackwell's Island (now Roosevelt Island). The asylum had a reputation on the street for brutality and neglect, and Bly was to observe conditions first hand in the role of an inmate, and then write an exposé. The year was 1884, and she was now a mere 20 years old. Her work was first published in the World, and then she republished it as a book to satisfy the demand of a public who were asking for copies.

In order to ensure that she would gain entrance to the asylum, Bly practiced the behavior and mannerisms of insane persons. She then, continuing her strategy, checked into a working-class women's boarding house on lower Second Avenue (see footnote). There she conducted herself in such a way that the home's matron called the police, and Bly appeared before a judge and convinced him she was insane.

In her own words:
I took upon myself to enact the part of a poor, unfortunate crazy girl, and felt it my duty not to shirk any of the disagreeable results that should follow. I became one of the city's insane wards for that length of time, experienced much, and saw and heard more of the treatment accorded to this helpless class of our population, and when I had seen and heard enough, my release was promptly secured. I left the insane ward with pleasure and regret–pleasure that I was once more able to enjoy the free breath of heaven; regret that I could not have brought with me some of the unfortunate women who lived and suffered with me, and who, I am convinced, are just as sane as I was and am now myself. 
But here let me say one thing: From the moment I entered the insane ward on the Island, I made no attempt to keep up the assumed role of insanity. I talked and acted just as I do in ordinary life. Yet strange to say, the more sanely I talked and acted the crazier I was thought to be by all except one physician, whose kindness and gentle ways I shall not soon forget.
Her first stop was Bellevue Hospital where she was to be evaluated, and then was transported on a boat -- under awful conditions -- to the asylum on Blackwell's Island.  Both hospital and asylum were freezing cold, food for the patients was scant and atrocious, and nurses kept inmates awake all night by talking and clomping around in loud shoes. But most egregious of all was what seemed to be a common practice by doctors of declaring women insane who likely were only down on their luck, based upon only the most cursory verbal examinations. Bly was deemed "hopelessly insane," a diagnosis arrived at after a simple conversation a doctor held with her during which she did nothing in particular to "act insane." She reported that she overheard other patients being asked similar questions, answering as any normal person would, and also being deemed insane. Bly wrote, "After this, I began to have a smaller regard for the ability of doctors than I ever had before, and a greater one for myself."


Bly wrote up many details of the treatment and incidents she witnessed at the asylum, and her work "Ten Days in a Mad-House" can be read at http://digital.library.upenn.edu/women/bly/madhouse/madhouse.html. With no special journalistic training, she had taken on a distasteful and even dangerous assignment and aced the tricky job of simultaneously pretending to be a real inmate while also staying aware and observant of others at all times. Her write-up makes an engrossing read and gives us tremendous insight to the status of women, particularly those in the working class, in the latter part of the 19th century.

And her work had tremendous impact. The public soaked it up and politicians were put in the hot seat. When she republished her work in book format she noted in an introduction:
SINCE my experiences in Blackwell's Island Insane Asylum were published in the World I have received hundreds of letters in regard to it. The edition containing my story long since ran out, and I have been prevailed upon to allow it to be published in book form, to satisfy the hundreds who are yet asking for copies.
I am happy to be able to state as a result of my visit to the asylum and the exposures consequent thereon, that the City of New York has appropriated $1,000,000 more per annum than ever before for the care of the insane. So I have at least the satisfaction of knowing that the poor unfortunates will be the better cared for because of my work.
...

In another major adventure, in 1890, Nellie Bly took on a challenge to compete against another female author to beat, for real, the fictional record set by Phileas Fogg in Jules Verne's Around the World in Eighty Days -- and on the 73rd day after her departure she won the challenge by arriving back at her Hoboken, New Jersey starting-point after making her way around the planet almost completely unchaperoned.

In 1895 she married a man 40 years her senior, a wealthy industrialist, and after his death she became an industrialist and inventor (of the 55-gallon oil drum still in use) in her own right. But after being bankrupted by employee embezzlement, she returned to reporting, covering the women's suffrage movement, and the action on the Eastern front in World War I. She also had a continuing interest in the plight of the downtrodden in society, and adopted or looked after a number of orphaned children.

In 1922, at the age of 57, Nellie Bly died of pneumonia, but her spirit lives on and she set in motion a huge legacy of exposing greed and incompetence in order to better the circumstances of those "at the bottom" of society. In 1998 she was inducted into the Women's Hall of Fame, and in 2002 she was one of four female journalists honored with a U.S. postage stamp. A New York Press Club award bears her name, an amusement park is named after her, and a "4-D" film has been shown in the Annenberg Theater in Washington, D.C. dramatizing her experience in the asylum.

FOOTNOTE: The Temporary Home for Females was located at 84 Second Avenue. It was actually a web search for "84 Second Avenue" out of my interest in that building itself that led me to the story of Nellie Bly. The building at that address is only a few doors away from where I live and has been an object of my interest since I moved to my current location in 1977. Several people have written articles or blog posts about the place, and I do have more to add to what folks have thus far recorded, being one of very few people who have actually  been inside the building and talked to its present-day occupant. Another day I will take up that topic (and will try to remember to come back and add a link here).

Thursday, March 29, 2012

Adrienne Rich


I am doing an impromptu awesome woman because some of our contributors have been down. we just lost this stunning woman, but she reshaped our culture over some important decades for anyone who cares to think:

http://en.wikipedia.org/wiki/Adrienne_Rich

en.wikipedia.org
Adrienne Cecile Rich (born May 16, 1929) is an American poet, essayist and feminist. She has been called "one of the most widely read and influential poets of the second half of the 20th century."[1]

Wednesday, November 23, 2011

Myriam Merlet


Today's Awesome Woman of Distinction is Myriam Merlet. I will be in February's Vagina Monologues, and our focus this year is Haiti. I've been reading about Myriam, and think she more than fits the bill.

In Memoriam: Haitian Feminist Leader and V-Day Activist Myriam Merlet, Eve on Democracy Now talking.www.vday.org
One year after the earthquake that changed Haiti forever, V-Day remembers those who were lost, and honors those who have worked tirelessly since the devastation to take care of their brothers and sisters and hold their communities together. We remember with love our sister and V-Day activist Myriam ...

Friday, October 21, 2011

Gloria Steinem

The Awesome woman of the day is Gloria Steinem. She has, and continues to inspire me and millions of women.

Ms. Steinem's early life was spent traveling around the country with her father who sold antiques. I've read several versions of her parents' divorce and when that happened. However the result was she lived with her mentally ill mother as a young girl. Her mother was in and out of mental institutions and Gloria eventually went to live with an older sister. She subsequently studied political science and graduated from Smith Phi Beta Kappa.

Ms. Steinem was an integral part of the feminist movement in the 60s, 70s and even now is an active member of the movement, speaking at college campuses, making TV appearances, writing and producing documentaries. Her interests extend to domestic and child abuse, and everything that affects women.

I'm including a link from her web page that gives her many many achievements.


http://www.gloriasteinem.com/who-is-gloria/

“Without leaps of imagination, or dreaming, we lose the excitement of possibilities. Dreaming, after all, is a form of planning."
The Official Website of Author and Activist Gloria Steinem - Who Is Gloria? www.gloriasteinem.com
Information about feminist, author and activist Gloria Steinem

Monday, August 1, 2011

Betty Friedan


Today's awesome woman is Betty Friedan. She was many, many things (including Aquarius) but none of those things was "dull". Changing the world didn't look like it was easy or fun, but she did it anyway. As a stay-at-home-mom, I owe her a great debt. Without her, I might have been afraid to ask for "my time" and "my stuff" because housewives weren't supposed to need or want anything for themselves. Thank you, Betty Friedan, for saving women from drowning in their own mystique.
en.wikipedia.org
A leading figure in the Women's Movement in the United States, her 1963 book The Feminine Mystique is often credited with sparking the "second wave" of American feminism in the twentieth century.
AWU post and comments at http://www.facebook.com/groups/343338393054/?view=permalink&id=10150330379368055

Wednesday, July 27, 2011

Louisa May Alcott

Today's Woman of the Day ♥ ♥ is Louisa May Alcott (November 29, 1832-March 6, 1888) she was born in Germantown, Pennsylvania (which is now a part of Philadelphia) on November 29, 1832, her fathers 33rd Birthday. She and her three sisters, Anna, Elizabeth, and May, were educated by their father, philosopher/ teacher Bronson Alcott, and raised on the practical Christianity of their mother, Abigail May.

Louisa spent her childhood in Boston and in Concord, Massachusetts, where her days were enlightened by visits to Ralph Waldo Emerson’s library, excursions into nature with Henry David Thoreau, and theatricals in the barn at "Hillside" (now Hawthorne’s "Wayside").

Like her character, "Jo March" in Little Women, young Louisa was a tomboy. "No boy could be my friend till I had beaten him in a race," she claimed, "and no girl if she refused to climb trees, leap fences ..."

For Louisa, writing was an early passion. She had a rich imagination and often her stories became melodramas that she and her sisters would act out for friends. Louisa preferred to play the "lurid" parts in these plays --"the villains, ghosts, bandits, and disdainful queens."
At age 15, troubled by the poverty that plagued her family, she vowed: "I will do something by and by. Don’t care what, teach, sew, act, write, anything to help the family; and I’ll be rich and famous and happy before I die, see if I won’t!"

Confronting a society that offered little opportunity to women seeking employment, Louisa determined, "... I will make a battering-ram of my head and make my way through this rough and tumble world." Whether as a teacher, seamstress, governess, or household servant, for many years Louisa did any work she could find.

Louisa’s career as an author began with poetry and short stories that appeared in popular magazines. In 1854, when she was 22, her first book Flower Fables was published. A milestone along her literary path was Hospital Sketches (1863), based on the letters she had written home from her post as a nurse in Washington, DC during the Civil War.



As an adult, Alcott was an abolitionist and a feminist. In 1847, the family housed a fugitive slave for one week. In 1848, Alcott read and admired the "Declaration of Sentiments" published by the Seneca Falls Convention on women's rights. Alcott, along with Elizabeth Stoddard, Rebecca Harding Davis, Anne Moncure Crane, and others, were part of a group of female authors during the Gilded Age who addressed women’s issues in a modern and candid manner. Their works were, as one newspaper columnist of the period commented, "among the decided 'signs of the times'"

When Louisa was 35 years old, her publisher in Boston, Thomas Niles, asked her to write "a book for girls." Little Women was written at Orchard House from May to July 1868. The novel is based on Louisa and her sisters’ coming of age and is set in Civil War New England. "Jo March" was the first American juvenile heroine to act from her own individuality --a living, breathing person rather than the idealized stereotype then prevalent in children’s fiction.

In her later life, Alcott became an advocate for women's suffrage and was the first woman to register to vote in Concord, Massachusetts, in a school board election.

In all, Louisa published over 30 books and collections of stories. During her stint as a Civil War nurse in 1862, Alcott had contracted typhoid fever. The popular treatment for fever at the time was quinine and calomel, or mercury chloride, a mineral that cured the disease but eventually killed the patient. She died on March 6, 1888 at age 55, only two days after her father, Her last words were "Is it not meningitis? She is buried in Sleepy Hollow Cemetery in Concord.

My book came out; and people began to think that topsy-turvy Louisa would amount to something after all ...
-Louisa May Alcott, 1855


AWU post and comments at http://www.facebook.com/photo.php?fbid=2296514338331&set=o.343338393054&type=1

Friday, June 17, 2011

Kate Millett

"The feminist time forgot?" 

Earlier this week, someone suggested to me that Betty Friedan’s 1963 book The Feminine Mystique should be read by ALL women. And I hedged on this. (to see my comments & more see the AWU post originally from Tuesday @ 12:06) Then let me be clear here. It’s a fine book that indisputably changed Americans lives as a New York Times bestseller and beyond. But now that I have “a room of one’s own” (at least I’m renting it on Fridays) I want to emphasize that my equivocation on that blanket proclamation stems not from the fact that I think its content is “crappy” as was charged, but with my persistent discomfort with how and why some ideas, people and products become more popular than others and the ways in which our discourses reinscribe this hegemonic order. Of particular concern to me and many feminists is how the media has contributed to the cultural conversation about feminism at different historical moments over the past twenty-five years.

Surely you have heard of Freidan even if you haven’t read her study. Perhaps you are even more familiar with the face of Gloria Steinem. The images and ideas of both these second-wave feminists have seeped into our popular cultural psyche for the past half century or so for better or worse (and mostly it’s good). But honestly, how many people in the world, women (or men) have ever heard of Kate Millet or studied her book Sexual Politics? As an academic who works between the borders of mass communications and gender studies, my interest lies at the role the media – now including social networking - play in the re-presentation of the women’s rights movements. So my concern here is the way that some through discourse and media systems some Why did liberal feminism (a la Freidan and Steinem) eclipse radical feminism, which was just as strong of a branch in the late 1960s and early 70s? (There’s a great book on this by Alice Echols called Daring to Be Bad). I wish to echo the argument of some others before me that it is due, at least in part to the fact that the ideology of liberal feminism resonates much more with capitalism, and that Steinem’s politics and persona – she came of age with the TV generation, fit much more within the beauty myth parameters of attractiveness and acceptability. Remember the famous poll that showed viewers who watched the 1960 presidential debate on TV said Kennedy won, while listeners in radioland said Nixon bested him? Same deal. 



Sexual Politics was one of the great cornerstones of Radical Feminist literature. (Briefly, radical feminists locate the root cause of women's oppression in patriarchal gender relations, as opposed to legal systems (as in liberal feminism) Radical feminists seek to abolish patriarchy, even as it exists in liberal-patriarchalism of the U.S. political economy. They believe that the way to deal with patriarchy and oppression of all kinds is to address the underlying causes of these problems through revolution not reform. It is known that Betty Friedan and other liberal feminists often see precisely the radicalism of radical feminism as potentially undermining the gains of the women's movement with polarizing rhetoric that invites backlash and hold that they overemphasize sexual politics at the expense of political reform. So which one do you think a corporate media monopoly would prefer?

A brief biography: In 1970, Kate Millett wrote Sexual Politics, a groundbreaking, bestselling analysis of female oppression. When "Sexual Politics" was published, Millett was 34, an unknown sculptor and activist living the life of an impoverished bohemian in New York's Bowery district. Born Katherine Murray Millett in St. Paul, Minn., Millett led a far different life than her strict Catholic parents had envisioned. Married to Japanese sculptor Fumio Yoshimura, to whom she dedicated "Sexual Politics," she maintained open relationships with a series of women. Upon the publication of her dissertation, Millett achieved instant fame and, compared with her formerly dire straits, a modest fortune of $30,000. The majority of this she spent to buy property in Poughkeepsie, N.Y., establishing the Women's Art Colony Farm for writers and visual artists.
Whether she liked it or not -- and for Millett, this seems to be forever an ambivalent question -- she became an overnight celebrity, lauded as the movement's perfect figurehead. She was brilliant, articulate, passionate in her activism, generous with her time and surprisingly gracious in interviews. The media swallowed her whole and spit out a simplified spokeswoman for the masses. Time magazine hailed her as "the Mao Tse-tung of Women's Liberation."

But Millett's public persona started to tarnish. The women's movement turned on her when she was outed as a lesbian. "The disclosure," said an article in Time, "is bound to discredit her as a spokeswoman for her cause." Indeed it did. And the gay movement lashed out at her for not coming out sooner. Millett wasn't easily defined -- and seemed continually misunderstood. There's Friedan, the stately matriarch; Steinem, the brassy babe; and Millett, the manic-depressive, married, bisexual, women's reformer, gay liberationist, reclusive sculptor, in-your-face activist, retiring Midwesterner, brassy New Yorker. There were too many mixed messages; she was far too conflicted and complicated a figure.

How is it that the great Kate Millett has nearly vanished from the collective consciousness? Certainly, she's overlooked by the media that once scrutinized her every move, and is barely a footnote in the minds of the very women who have profited from her labors. For whatever reason, my generation seems to be more familiar with Betty Friedan, Germaine Greer and Gloria Steinem, Millett's onetime peers. These feminist hall-of-famers -- who respectively authored "The Feminine Mystique" and founded the National Organization for Women; wrote "The Female Eunuch"; and co-founded Ms. magazine -- remain in the Zeitgeist. Biographies of Friedan and Greer were published this past year, as were books penned by both women; and Steinem remains the biggest women's lib celeb of them all.

In 1999, Millett surfaced in the most disconcerting manner, when an article she wrote for the London Guardian was excerpted and circulated on the Internet. In the article, titled "The Feminist Time Forgot," Millett comes across as desperate and destitute, fearful of future "bag-lady horrors." Despite her credentials, she can't get a decent teaching job, not even at an extension night school. No one returns her calls. She can't even get hired as a temp. "I don't type well enough," Millett writes ruefully. She's offered $1,000 to republish "Sexual Politics," an embarrassing sum she refuses. (Ironically, notes Millett, Doubleday is putting out an anthology of the 10 most important books it's published in the past century -- an excerpt from "Sexual Politics" is included.) Most astonishing is the news that she earns a living selling Christmas trees from her farm. "I begin to wonder what is wrong with me," she writes. "Am I 'too far out' or too old? Is it age? I'm 63. Or am I 'old hat' in the view of the 'new feminist scholarship'?".

Yes, Virginia, in a perfect world, we all would read all the books and all the books would be perfect. Let me leave you with an even more fantastical scenario. If you’re going to be stranded on a desert island, and you can only bring one book and the library has only either The Feminine Mystique or Sexual Politics, I recommend you take the latter.

So what are your thoughts on how the media convergence of the publishing industry, social networking sites, advertising, and other forms of corporate power has crafted how we discuss feminism and/or other grass-roots social movements?

Thank you Salon.com for a lot of the valuable info herein.


AWU post & comments at http://www.facebook.com/photo.php?fbid=2032239479408&set=o.343338393054&type=1

Tuesday, May 3, 2011

Judi Bari

Today’s WOD is Judi Bari was Born in Baltimore MD, U.S., on Nov. 7,1949. She was a leading US environmental activist, human rights activist and feminist until her death from breast cancer on March 2, 1997. She was one of the principal organizes of the group 'Earth First'. Judi Bari published one book called "Timber Wars."

AWU post & comments at http://www.facebook.com/home.php?sk=group_343338393054&view=permalink&id=10150233078753055