Showing posts with label performer. Show all posts
Showing posts with label performer. Show all posts

Tuesday, December 27, 2011

The Rockettes

Today the WOD’s are the more than 3,000 women that have danced as Rockettes at Radio City Music Hall in New York, NY. On this day December 27, 1932 Radio City Music Hall opened at the height of the Great Depression. Thousands turned out for the opening of Radio City Music Hall, a magnificent Art Deco theater in New York City. Radio City Music Hall was designed as a palace for the people, a place of beauty where ordinary people could see high-quality entertainment. Since its 1932 opening, more than 300 million people have gone to Radio City to enjoy movies, stage shows, concerts, and special events.

The Radio City Music Hall Christmas Spectacular, which debuted in 1933, draws more than a million people annually. The show features the high-kicking Rockettes, a precision dance troupe that has been a staple at Radio City since the 1930s.

The group first kicked to life in 1925 as the "Missouri Rockets" and made their show business debut in St. Louis, the realization of a long-time dream of their creator, Russell Markert.

At Radio City's opening night, on December 27, 1932, they did just that. The Rockettes, discovered and brought to New York by consummate showman S.L. (Roxy) Rothafel who first dubbed them the "Roxyettes," shared the stage with 17 diverse acts, among them the Flying Wallendas, Ray Bolger and Martha Graham.

They were an instant sensation! Markert had created the quintessential American chorus line - an exciting precision drill team with great style. Starting with just 16 women, the numbers grew over the years to what is now a 36-member Rockette kick line.

In 1933, Radio City featured a new movie and a lavish stage production every week starring the Rockettes. Russell Markert's stringent requirements never varied, and he continued to stage and choreograph productions at the Music Hall until his retirement in 1971. This concept of the dance line was to achieve absolute precision. The audience saw 36 Rockettes perform intricate routines, but always moving as "one dancer." Everything - the height, the costumes and steps - was kept completely identical. The illusion of uniform height is maintained to this day by putting the tallest dancers in the center, and gradually decreasing the height with the shortest women at either end. The Radio City Rockettes perform with a signature precision that perpetually delights every new audience. Indeed, these "dancing daughters" - as their founder, Russell Markert always referred to them - have not only persevered for more than 75 years, but are thriving now more than ever.

For more than three quarters of a century, the Radio City Rockettes, the world's most famous precision dance company, have been a legendary force in entertainment, with a rich history of skill and dedication to their craft. Under the supervision of their founder, Russell Markert, the Rockettes appeared at Radio City Music Hall in hundreds of stage spectaculars that accompanied premiere Hollywood films. The Rockettes performed 4 shows a day, 28 shows a week, 365 days a year for over 40 years. In addition to this phenomenal schedule, the Rockettes starred in USO Tours during WWII, won the grand prize at the "Paris Exposition de Dance" in 1936 and more recently performed their show-stopping high kicks at the "Super Bowl Halftime Show" in 1988, where they performed before a television audience of 150 million viewers. Each year the Rockettes are featured in the annual "Macy's Thanksgiving Day Parade" and were a prominent feature at the "2001 Presidential Inauguration Ceremony". The Rockettes are a national treasure. Their annual starring role in the "The Radio City Spectacular" at Radio City Music Hall, and other cities across the United States, is seen by more people in one year than most other live shows in America - more than 2.1 million people annually. The New York Times corroborates their talent by saying, "But best of all, as always, are the miraculous Rockettes in their crisp costumes, smiling and tapping their way flawlessly everywhere…"

Today, the Rockettes play an integral role in many Radio City theatrical productions, special events and television productions. They star annually in The Radio City Christmas Spectacular in New York and around the country. They've tapped their way through the dreams of thousands of young girls, many of whom hope to add their own legs to that world-famous kick line.

Since 1932, more than 3,000 women have danced as Rockettes. Each year, in cities across America, hundreds of young women audition to be members of the internationally known troupe. Radio City Rockettes must be between 5'5" and 5'10" and must demonstrate proficiency in tap, jazz, ballet and modern dance. They must also display a radiant energy that will shine across the footlights to their audience. The Radio City Rockettes perform with a signature precision that perpetually delights every new audience. Indeed, these "dancing daughters" - as their founder, Russell Markert always referred to them - have not only persevered for more than 75 years, but are thriving now more than ever.

On a personal note, if you have never seen the Rockettes in action, I highly recommend that you do so, if you ever get the opportunity. I saw them when I was a little girl on a trip to the city with my Girl Scout Troop, it stuck with me. The beauty, the grace the precision was like magic. I had the opportunity to take my kids a few years ago and the look on their faces as they watched these young women in action was priceless. My daughter, a dancer, was in awe. “I want to do that” “I want to be one of them”. I imagine that was how each one of those 3,000 women felt as little girls.

Friday, June 10, 2011

Fawzia Azfhal-Khan

I have the best boss. Her grace, talent and intellect help make it a pleasure to go to work. How many people can say that? Do you? Today’s Awesome Woman of the Day is Dr. Fawzia Azfhal-Khan. Fawzia is Director of Women and Gender Studies, Full Professor of English, and University Distinguished Scholar at Montclair State University in New Jersey (where I teach).

Fawzia is a cultural materialist who works at the intersection of Feminist Theory, Cultural and Performance Studies, and Postcolonial Studies. She is author of 5 books, a frequent contributor to scholarly journals and a published poet and playwright. Azfhal-Khan is a Contributing Editor to TDR (The Drama Review), and serves on the Advisory Board of SAR (the South Asian Review). She is also a trained vocalist in the North Indian Classical tradition. Her music videos exploring themes of gender, religion, class , set in Pakistan, can be viewed on youtube (FAK Lahore, FAK Payal, FAK Smokescreen, FAK Sacrifice). She was a founding member of the experimental theatre collective Compagnie Faim de Siecle, with whom she toured and performed in Europe and North America. Her current research work is focused on Pakistani Popular Culture and she teaches classes on Muslim Women prose writers, , Global Feminisms et al.

Afzal-Khan received her BA in Lahore, Pakistan, and her MA and PhD in English Literature from Tufts University, Ma. She has also been a Visiting Professor at Harvard University. Among her many achievements, she was recognized by American Muslim Alliance with its Excellence in Public Life Award Presented in Appreciation for doing a superb job as an author, artist, and performer in connecting the past with the present, and for using her art to reinvigorate multifold linkages between truth and beauty.

Her latest publication is a controversial memoir entitled Lahore With Love; Growing Up With Girlfriends Pakistani-Style. The novel weaves through Fawzia’s life and its memories as she searches for an identity in the post-colonial chaos. “For women growing up in Pakistan’s patriarchal, segregated society, it is not surprising that female friendships take on a deep, enduring resonance... These relationships, formed in adolescence and nurtured into adulthood, gave me the strength to be defiant, developing a wry sense of humour to weather the contradictions of daily life in Pakistan, and memories to sustain me as I continued to straddle two continents and two cultures,” she said.

In one of her most widely-read texts, the author confronts a common assumption that Muslim women don’t—or can’t – have a voice of their own. Fawzia Afzal-Khan aims to break that idea into tiny pieces with a book: Shattering the Stereotypes: Muslim Women Speak Out (2005). The book is a compilation of works written by different Muslim women, with a forward written by Nawal El Saadawi. In the introduction, Afzal-Khan explains that this books aims to counter the negative attitudes and ideas about Muslim women that are still proliferated post-9/11. It’s divided into works of non-fiction, poetry, journalism, religious discourses, fiction, and plays. Many of the authors in the book use 9/11 as a catalyst, writing about its effects on their lives or examining the effects it had on other Muslim women’s lives. The book is a powerful one, and it successfully shatters common stereotypes I’ve witnessed that Muslim women aren’t American and aren’t willing to speak up for themselves.

So my question is, how does your boss and or co-workers inspire you? If you can’t honestly say that they do, what part may you play in actively moving yourself to a place where you are loving what you do and are becoming?


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